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Most displayed holograms were made on the Ultimate emulsion, recorded at the 514nm argon line at 100-200mW. I highly recommend this material, its diffraction efficiency and the total lack of noisy fog are fantastic. For reflection copies, I also use Slavich material VRP-M, with reasonably good results; but I had lots of problems with it for transmission mastering, due to background scattering - see below.
Here a brief movie of a deep-scene
hologram, and of the complex Crystal hologram
(it's hard to record, it looks much better in reality).
My first high quality reflection copy (on 4x5'' Ultimate 08) in plain
sunlight. The |
Same, illuminated by a bright green LED, whose wavelength (520nm) fits quite well to the hologram color bandwidth. |
|
"DNA" winds out of the image plane; reflection copy on 5x8'' Ultimate 08. At some point I hope to do this motive in color. |
After lots of experiments, this is my best result for using VRP-M film as a transmission H1 master (recorded and viewed at 514nm). Note the considerable fog that remains. |
The comparison with a transmission master on Ultimate 08 is striking - background noise is virtually absent. The chandelier hologram above was made with this master. |