Return to home page
Most displayed holograms were made on the Ultimate emulsion, recorded at the 514nm argon line at 100-200mW. I highly recommend this material, its diffraction efficiency and the total lack of noisy fog are fantastic. For reflection copies, I also use Slavich material VRP-M, with reasonably good results; but I had lots of problems with it for transmission mastering, due to background scattering - see below.
Here a brief movie of a deep-scene
hologram, and of the complex Crystal hologram
(it's hard to record, it looks much better in reality).
|
My first high quality reflection copy (on 4x5'' Ultimate 08) in plain
sunlight. The |
Same, illuminated by a bright green LED, whose wavelength (520nm) fits quite well to the hologram color bandwidth. |
|
|
"DNA" winds out of the image plane; reflection copy on 5x8'' Ultimate 08. At some point I hope to do this motive in color. |
After lots of experiments, this is my best result for using VRP-M film as a transmission H1 master (recorded and viewed at 514nm). Note the considerable fog that remains. |
The comparison with a transmission master on Ultimate 08 is striking - background noise is virtually absent. The chandelier hologram above was made with this master. |